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Patricia Janov Hahn Studio & Gallery Website Contents c. 2002

hahnpatricia@hotmail.com

RANDOM TIPS

Water miscible oils are an excellent medium for classroom, studio and en plein air work. Although with limitations, water soluble oils handle like traditional oils but without the odor and mess. They also possess similar qualities to watercolor, however, use of excessive water will cause the pigment to separate.

Traditional oils can be interchanged with water miscible oils. When interchanging traditional with water miscible oils, turpenoid or odorless mineral spirits must be used for cleanup.

A large variety of mediums and varnishes are available for use with traditional oils but not for water miscible oils. Manufacturers do not recommend that mediums designed for traditional oils be used with water miscible oils, and visa-versa. Read accompanying literature for additional guidelines.

Odorless mineral spirits can be used to thin water miscible oils and traditional oils. To recycle mineral spirits, fill a glass container with the thinner. Use as a medium and to clean brushes. After use, seal with a lid. Allow to settle overnight. Oil paint will drop to the bottom, leaving clean paint thinner on top. Pour slowly into second glass container, leaving sediment in bottom. Use recycled paint thinner and repeat recycling procedure as needed. Never pour paint thinner down sink.


PAINTING EXERCISES

Experiment with water miscible oils on an 11" x 14" sheet of canvas paper. Push the paint around
as it comes directly out of the tube. Try adding a little water, then a lot. To improve flow and speed drying, add a small amount of water mixable oil fast drying medium. Experiment with color mixing.
Use red, yellow and blue to make oranges, greens and violets. See what color is made by mixing yellow and black.

For a fun painting exercise, begin with the following drawing activity:

Draw three different shapes (image areas) such as an oval (9" x 12"), a long rectangle (7" x 12"),
and a square(9" x 9"). Choose simple subject matter such as flowers, plants, hands, shoes, animals, birds, seashells, inanimate objects, etc. Sketch some part of your subject matter within each shape (image area). Stretch subject matter vertically to fit within the rectangular area. Curve it to fit inside the circular shape. Allow it to spill out on one side of the square frameline.

Transfer your best drawing to canvas paper. Paint with wild color! Or quiet, traditional color. Or both! Paint both foreground and background shapes, or paint only background shapes! Set off
warm (yellow, orange, red) foreground shapes with a cool (green, blue, violet) background. Try
the reverse - cool foreground against a warm background. Save the original drawing and it can be transfered more than once.


BASIC PAINTING SUPPLIES

To get started, a few supplies are required. I recommend:

  • A few tubes of water miscible paint (alizarin crimson, ultramarine blue, lemon yellow,
    burnt sienna, ivory black, titanium white)
  • Water mixable oil fast drying medium
  • 11x14 pad of gessoed canvas paper
  • Three paint brushes - white synthetic - detail 0, medium 6, large 12
  • 11" x 14" plastic palette box with lid
  • disposable palette to fit in box
  • water containers
  • rags, paper towels

INSPIRATION

While there are painters who turn the sun into a yellow spot, there are artists who transform a
yellow spot into the sun.

To more fully realize one's artistic potential, inject small doses of creativity into everyday routine.

Regular art journaling is important as documentation and helps to express ideas for and inject
meaning into larger pieces of art.

To begin is the thing. Begin anywhere, anyhow. Pick up your materials and get started.

"I know of no other encouraging fact than the unquestionable ability of man to elevate his life
by conscious endeavor." Henry David Thoreau

"Painting is easy when you don't know how, but very difficult when you do." Edgar Degas

Time extracts various values from a painter's work. When these values are exhausted the pictures
are forgotten, and the more a picture has to give, the greater it is." Henri Matisse
Tips, techniques, mini lessons and inspirations are periodically updated. This page was
last revised on April 15, 2009. Thank you for visiting!